Musique Noise
Musique Noise

Musique Noise

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Concerts à venir


Concerts passés

  • 14 octobre 2011 : Maison de Quartier du Landy, St Ouen
  • 30 avril 2011 : Konfituur @ Koto
  • 18 décembre 2010 : Konfituur @ Koto

Albums
Photos
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Musique Noise à l’Excalibur, Paris 1987
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Musique Noise aux studios Luna Rossa, Paris 1988
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Musique Noise sur la toile, 1989
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Musique Noise au Caf’ Conc’, Paris 1994
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Fulmines Integralis by Musique Noise (All Music - 2004) (2004)

Musique Noise belongs to the string of French groups that found their main inspiration in Magma’s music, but it sounds very different than most of them. Most of the "zeuhl" groups (the progressive rock style derived from Magma’s legacy) focused on further developing Christian Vander’s martial rhythms and dark rituals. Musique Noise turned its collective attention to the lighter side of things, using intricate three-part vocal arrangements, positive energy, and a sense of humor rarely found in this field. The group released only one album during its eight years of existence.

The name does not translate to "noise music." "Noise" is an Old French word meaning quarrel — "chercher des noises" means looking for trouble. Bassist Frédéric Huynh, keyboardist Denis Levasseur, and drummer Philippe Zarka were members of Autopsie, a group also including ex-Eskaton keyboardist Xavier De Raymond. When it collapsed in early 1986, the three of them recruited old friends Jean-Philippe Gallet (lead singer, saxophone) and Marc Montella (trumpet) to write a new arrangement of Carl Orff’s Carmina Burana, a work at the heart of the aesthetics of zeuhl. The project was abandoned but the quintet began to write some original material, keeping in mind their intention of bringing Orff’s choirs into rock music.

In the summer of 1986, two classically trained singers, Isabelle Bruston and Cornélia Schmid, joined the band. Then came a period of activity during which Musique Noise gave its first concerts in small Parisian clubs and began work on what would turn out to be its sole album. Fulmines Regularis was recorded in 1988, after Montella’s departure. Released as an LP by the then-young French prog rock label Musea, the album would become a zeuhl classic in specialist circles but otherwise had little impact. The group continued to perform occasionally and write slowly, but in 1990 Schmid called it quits to focus on her career in classical music. Gallet dropped the sax to sing full time, and thus saxophonist Simon Bot Ban Jok was drafted. In 1991 De Raymond, who had kept close ties to the group, joined it officially.

This septet recorded a four-song demo in 1992 as preparation for a second album, but the lack of funding and performance opportunities was sucking the energy out of the group. Bot Ban Jok and Gallet quit in 1993. Zarka’s departure less than a year after sounded the dissolution. In 2002 Musea reissued Fulmines Regularis on CD, rechristening it Fulmines Integralis and including the 1992 demos.

Fulmines Integralis is a CD reissue of Musique Noise’s only LP, 1988’s Fulmines Regularis, augmented by four demos recorded in late 1992 for a second album that never materialized. First introduced at the time as part of the zeuhl movement — a bunch of French groups following in the footsteps of Magma’s Christian Vander — Musique Noise lightens up the recipe. The music has lost Magma’s martial drumming but has kept the intricate male/female nonsense vocals. The opener, "Pas Encore" (Not Again), surprises at first : Kicking off like a Caribbean version of jazz scat, it quickly flourishes into the sunniest, liveliest zeuhl tune this side of Kobaia. Isabelle Bruston, Cornélia Schmid, Jean-Philippe Gallet, and Philippe Zarka obviously have a fun time singing the catchy vocal répons. "Unique au Monde" and "Pour Qui Sont Ces Rangers Qui Marchent Sur Nos Têtes ?" delve into more complex time signatures and moods, revisiting tricks pioneered by Magma circa Udu Wudu and Attahk. Inserted before the original LP’s closing track, the four previously unreleased pieces indicate that the group was keeping the same heading. If "Ecco" is overlong, "RagnarØk" stands out thanks to excellent vocal parts. These cuts feature a slightly different lineup, saxophonist Simon Bot Ban Jok and keyboardist Xavier De Raymond augmenting the ranks. "Pzkr !" offers an awkward conclusion by laying a spoken text over the tape of "Pas Encore" running at double speed. This false note doesn’t depreciate the freshness of the album.

Reviewed by François Couture, Rovi


Fulmines Integralis by Musique Noise (All Music - 2004)


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Mise à jour : lundi 6 juin 2016